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Yo! Bum Rush the Show

aus Wikipedia, der freien Enzyklopädie
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(1988) | {{#if: | {{#if: |
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}} von }} {{#if: Public Enemy

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Veröffent-
lichung

26. Januar 1987 }}

Aufnahme

}}

Label(s)

Vorlage:Str replace }}

Format(e)

}}

Genre(s)

Hip-Hop }}

Titel (Anzahl)

12 }}

Länge

46:44 }}

Besetzung

Vorlage:Str replace

}}

Produktion

Rick Rubin }}

Studio(s)

Spectrum City Studios }}

Aufnahmeort(e)

}}

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}}; font-size:110%; font-weight:bold; padding:unset; display:table-caption;" | Chronologie {{#if: | von Public Enemy }}

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Yo! Bum Rush the Show ist das Debütalbum der US-amerikanischen Hip-Hop-Band Public Enemy, veröffentlicht am 26. Januar 1987 von Def Jam Recordings in den USA. Das Logo der Band, die Silhouette eines Schwarzen Mannes im Fadenkreuz eines Gewehres, erschien erstmals auf dem Plattencover.<ref name="pareles2">{{#if:|{{#iferror: {{#iferror:{{#invoke:Vorlage:FormatDate|Execute}}|}}| |}}}}{{#if:Jon Pareles|Jon Pareles: }}{{#if:|{{#if:Recordings View; Hip-Hop’s Prophets of Rage Make Noise Again|[{{#invoke:Vorlage:Internetquelle|archivURL|1={{#invoke:URLutil|getNormalized|1={{{archiv-url}}}}}}} {{#invoke:Vorlage:Internetquelle|TitelFormat|titel=Recordings View; Hip-Hop’s Prophets of Rage Make Noise Again}}]{{#if:| ({{{format}}})}}{{#if:| {{{titelerg}}}{{#invoke:Vorlage:Internetquelle|Endpunkt|titel={{{titelerg}}}}}}}}}|{{#if:http://www.nytimes.com/1991/09/29/arts/recordings-view-hip-hop-s-prophets-of-rage-make-noise-again.html%7C{{#if:{{#invoke:TemplUtl%7Cfaculty%7C}}%7C{{#invoke:Vorlage:Internetquelle%7CTitelFormat%7Ctitel={{#invoke:WLink%7CgetEscapedTitle%7C1=Recordings View; Hip-Hop’s Prophets of Rage Make Noise Again}}}}|[{{#invoke:URLutil|getNormalized|1=http://www.nytimes.com/1991/09/29/arts/recordings-view-hip-hop-s-prophets-of-rage-make-noise-again.html}} {{#invoke:Vorlage:Internetquelle|TitelFormat|titel={{#invoke:WLink|getEscapedTitle|1=Recordings View; Hip-Hop’s Prophets of Rage Make Noise Again}}}}]}}{{#if:| ({{{format}}}{{#if:The New York Times1991-09-29{{#if: 2010-02-14 | {{#if:{{#invoke:TemplUtl|faculty|}}||1}}}}

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}}}}{{#invoke:TemplatePar|check |all= url= titel= |opt= autor= hrsg= format= sprache= titelerg= werk= seiten= datum= abruf= zugriff= abruf-verborgen= archiv-url= archiv-datum= archiv-bot= kommentar= zitat= AT= CH= offline= |cat= {{#ifeq: 0 | 0 | Wikipedia:Vorlagenfehler/Vorlage:Internetquelle}} |template= Vorlage:Internetquelle |format=0 |preview=1 }}</ref> Yo! Bum Rush the Show zeichnet sich durch den samplelastigen Sound des Produzententeams The Bomb Squad aus.

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Musik und Texte

Jon Pareles von der New York Times bemerkte in seinem Review, dass die Band sich als „Mischung aus schwarzer Wut und Widerstand“ präsentiert und dass sie die Stimme einer Gemeinschaft, aber keine „Truppe von Maulhelden“ sein wollen.<ref name="pareles2" /> Auf dem Album war die samplelastige Produktion von The Bomb Squad erstmals zu hören, die für die folgenden Alben der Band prägend wurde.<ref>{{#if:2010-03-25|{{#iferror: {{#iferror:{{#invoke:Vorlage:FormatDate|Execute}}|}}| |}}}}{{#if:|{{{autor}}}: }}{{#if:https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7C{{#if:Hip-Hop’s Greatest Year: Fifteen Albums That Made Rap Explode|[{{#invoke:Vorlage:Internetquelle|archivURL|1={{#invoke:URLutil|getNormalized|1=https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode}}}} {{#invoke:Vorlage:Internetquelle|TitelFormat|titel=Hip-Hop’s Greatest Year: Fifteen Albums That Made Rap Explode}}]{{#if:| ({{{format}}})}}{{#if:| {{{titelerg}}}{{#invoke:Vorlage:Internetquelle|Endpunkt|titel={{{titelerg}}}}}}}}}|{{#if:http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7C{{#if:{{#invoke:TemplUtl%7Cfaculty%7Cja}}%7C{{#invoke:Vorlage:Internetquelle%7CTitelFormat%7Ctitel={{#invoke:WLink%7CgetEscapedTitle%7C1=Hip-Hop’s Greatest Year: Fifteen Albums That Made Rap Explode}}}}|[{{#invoke:URLutil|getNormalized|1=http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode}} {{#invoke:Vorlage:Internetquelle|TitelFormat|titel={{#invoke:WLink|getEscapedTitle|1=Hip-Hop’s Greatest Year: Fifteen Albums That Made Rap Explode}}}}]}}{{#if:| ({{{format}}}{{#if:jaRolling Stone2008-02-12https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode{{#if: 2010-02-14 | {{#if:{{#invoke:TemplUtl|faculty|}}||1}}}}

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            |{{#invoke:TemplUtl|failure|1=Fehler bei Vorlage:Internetquelle, datum=2008-02-12|class=Zitationswartung}} }}{{#if: https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7C,%7C{{#if: 2010-02-14 | {{#if:{{#invoke:TemplUtl|faculty|}}|;|,}}}}}}}}{{#if: | S. {{{seiten}}}{{#if: https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7C,%7C{{#if: 2010-02-14 | {{#if:{{#invoke:TemplUtl|faculty|}}|;|,}}}}}}}}{{#if: https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode{{#invoke:TemplUtl%7Cfaculty%7Cja}}%7C+{{#if:2008-02-12Rolling Stone|{{#if:https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7Carchiviert%7Cehemals}}%7C{{#if:https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7CArchiviert%7CEhemals}}}}+{{#if:https://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode%7Cvom%7Cim}}+Vorlage:Referrer{{#if:{{#invoke:TemplUtl|faculty|ja}}| (nicht mehr online verfügbar)}}{{#if: 2010-03-25| am {{#iferror: {{#iferror:{{#invoke:Vorlage:FormatDate|Execute}}|}}|2010-03-25{{#if:1896092||(?)}}}}}}{{#if: 2010-02-14|;}}}}{{#if: 2010-02-14| {{#if:2008-02-12Rolling Stonehttps://web.archive.org/web/20100325022454/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode{{#invoke:TemplUtl%7Cfaculty%7Cja}}%7Cabgerufen%7CAbgerufen}} {{#switch: {{#invoke:Str|len| {{#invoke:DateTime|format| 2010-02-14 |ISO|noerror=1}} }}
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        {{#invoke:Vorlage:Internetquelle|archivBot|stamp=2024-06-19 10:51:45 InternetArchiveBot|text={{#if:https://web.archive.org/web/20121024062513/http://pqasb.pqarchiver.com/washingtonpost/access/73831403.html?dids=73831403:73831403&FMT=ABS&FMTS=ABS:FT&type=current&date=Jul+01,+1987&author=Mark+Jenkins&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=The+New+Rap+Revolution,+Hop+to+Hype%3B+L.L.+Cool+J,+Lisa+Lisa+&+Public+Enemy,+Evolving&pqatl=google%7CVorlage:Webarchiv/archiv-bot}}

}}}}{{#invoke:TemplatePar|check |all= url= titel= |opt= autor= hrsg= format= sprache= titelerg= werk= seiten= datum= abruf= zugriff= abruf-verborgen= archiv-url= archiv-datum= archiv-bot= kommentar= zitat= AT= CH= offline= |cat= {{#ifeq: 0 | 0 | Wikipedia:Vorlagenfehler/Vorlage:Internetquelle}} |template= Vorlage:Internetquelle |format=0 |preview=1 }}</ref> In den Texten agitiert die Band gegen die Vorherrschaft der weißen Rasse und prangert ein mangelndes Selbstbewusstsein der Schwarzen in den USA an.<ref>{{#invoke:Vorlage:Literatur|f}}</ref> Dieser schwarze Nationalismus brachte der Band viel Kritik ein, allerdings wirkte dieser in Kombination mit dem militanten Outfit der Musiker zugleich auch verkaufsfördernd.<ref>{{#invoke:Vorlage:Literatur|f}}</ref> So konnte binnen einen Jahres bereits 275.000 Exemplare des Albums abgesetzt werden.

Kritiken

Das Q-Magazin vergab 4 Sterne („Exzellent“) und nennt das Album „einen überwältigenden Anfang … nur der erste und rückblickend noch zaghafte Schritt einer bemerkenswerten Reise … eine harte, dröhnende Erweiterung des grundlegenden drum’n'scratch-Schemas von Def Jam, das bei LL Cool J und den Beastie Boys so gut funktionierte.“<ref>{{#invoke:Vorlage:Literatur|f}}</ref> Der Melody Maker verglich die Intensität des Albums damit, „als wäre man von einem Meteoriten getroffen worden“.<ref>{{#invoke:Vorlage:Literatur|f}}</ref> Der NME schrieb: „Yo! Bum Rush The Show machte eine Hip-Hop-Band bekannt, die im Verborgenen zu funkeln begann, mit spärlichen Beats wie keine andere, und mit dem coolsten Gesangs-Duo aller Zeiten … mit Ansichten, die man von einem 'Öffentlichen Feind Nummer 1' erwartet. … Brilliant.“<ref>{{#invoke:Vorlage:Literatur|f}}</ref> Für Stephen Thomas Erlewine von Allmusic überlagern durch die Produktion von Rick Rubin die Rockmusik-Elemente die Hip-Hop-Elemente, und sowohl die Bomb Squad als auch Chuck D. konnten sich noch nicht ausreichend entfalten.

Titelliste

Die folgende Titelliste enthält einige der in den Songs von Yo! Bum Rush the Show verwendeten Samples. Die angegebenen Samples sind jedoch nicht vollständig.

Nr. Name Songwriting Länge
(min)
Verwendete Samples
1. You’re Gonna Get Yours Chuck D, Hank Shocklee 4:04 Super Sporm von Captain Skyy
Getting it On von Dennis Coffey
2. Sophisticated Bitch
(feat. Vernon Reid von Living Colour)
D., William Drayton, Flavor Flav, Shocklee 4:30 Friends von Whodini
Groove Line von Heatwave
3. Miuzi Weighs a Ton D., Shocklee 5:44 Rock Steady von Aretha Franklin
Different Strokes von Syl Johnson
Christmas Rappin’ von Kurtis Blow
Synthetic Substitution von Melvin Bliss
4. Timebomb D., Shocklee 2:54 Just Kissed My Baby von The Meters
5. Too Much Posse D., Drayton, Flav, Shocklee 2:25
6. Rightstarter (Message to a Black Man) D., Shocklee 3:48 Grip It von Trouble Funk
Blow Your Head von The J.B.’s
Here We Go (Live) von Run-D.M.C.
7. Public Enemy No. 1 D., Shocklee 4:41 AJ Scratch von Kurtis Blow
Feel the Heartbeat von Treacherous Three
Blow Your Head von Fred Wesley und The J.B.'s
8. M.P.E. D., Drayton, Flav, Shocklee 3:44
9. Yo! Bum Rush the Show D., Drayton, Shocklee 4:25 Shack Up von Banbarra
10. Raise the Roof D., Eric Sadler, Shocklee 5:18 Assembly Line von The Commodores
Fantastic Freaks at the Dixie von Grandwizard Theodore & the Fantastic Five
11. Megablast D., Drayton, Flav, Shocklee 2:51 All We Need is Another Chance von The Escorts
12. Terminator X Speaks With His Hands D, Drayton, Sadler, Shocklee 2:13 Just Kissed My Baby von The Meters

Literatur

  • {{#invoke:Vorlage:Literatur|f}}

Weblinks

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Einzelnachweise

<references />